86points

Sigma 100-400mm f/5-6.3 DG DN OS | C

91points

Sony FE 70-200mm F4 G OSS

Comparison winner
Sony FE 70-200mm F4 G OSS
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33 facts in comparison

Sigma 100-400mm f/5-6.3 DG DN OS | C vs Sony FE 70-200mm F4 G OSS

Sigma 100-400mm f/5-6.3 DG DN OS | C
Sony FE 70-200mm F4 G OSS

Why is Sigma 100-400mm f/5-6.3 DG DN OS | C better than Sony FE 70-200mm F4 G OSS?

  • 200 mm longer maximum focal length
    ?

    400 mmvs200 mm
  • Has a silent focus motor built into the lens
    ?
  • 16.4° wider maximum angle of view
    ?

    24.4°vs
  • 0.58x Better magnification factor
    ?

    0.71xvs0.13x
  • 1.14x greater zoom range
    ?

    4xvs2.86x
  • 7f smaller aperture at maximum focal length
    ?

    29fvs22f
  • 15.8° narrower minimum angle of view
    ?

    6.2°vs22°

Why is Sony FE 70-200mm F4 G OSS better than Sigma 100-400mm f/5-6.3 DG DN OS | C?

  • 20% wider aperture at minimum focal length
    ?

    f/4.0 vsf/5.0
  • Has a metal mount
    ?
  • 2.3f wider aperture at maximum focal length
    ?

    4fvs6.3f
  • 295 g lighter
    ?

    840 gvs1.14kg
  • 0.1 m shorter minimum focus distance
    ?

    1 mvs1.1 m
  • 30 mm shorter minimum focal length
    ?

    70 mmvs100 mm

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User reviews

Overall rating

Sigma 100-400mm f/5-6.3 DG DN OS | C
9.0
1 User reviews
Sigma 100-400mm f/5-6.3 DG DN OS | C
9.0/10
1 User reviews
Sony FE 70-200mm F4 G OSS
0 User reviews
Sony FE 70-200mm F4 G OSS
0 User reviews

Features

Build quality

9.0/10
1 votes
No reviews yet
 

Autofocus

8.0/10
1 votes
No reviews yet
 

Sharpness

9.0/10
1 votes
No reviews yet
 

Distortion

3.0/10
1 votes
No reviews yet
 

Comments

Rick

Rick

10 months ago

9 / 10

GREAT LENS for the MONEY

Rick

Rick

10 months ago

9 / 10

The Sigma 100-400 lens I have is the Sony version, not the L-mount version. The camera I use it on is Sony A7RII. This lens (Sony version) works great providing you have sufficient light to work with but keep in mind that is the case with ALL lenses. I've taken photos indoors and find that the photos are just as sharp as my Sony 24-105 F/4.0 G lens. Outdoors in sufficient light even when cloudy the photos are great depending on how good you are at holding the camera and the right settings applied to any given situation. With plenty sunshine the photos are phenomenal. So, all in all, if all you're interested in is taking photographs and are on a budget this lens is great. Build quality is great. I have absolutely no problem with that. If you're the kind of person who beats up their lenses and abuses them then this may not be the lens for you; however, everyday normal wear and tear this lens is great. I've had mine for about a year now and have no problems with it whatsoever. I don't do video so I cannot give you any kind of worthwhile review but from what I understand this lens does ok with video, but it is not the best one out there if you are into videography. As for the weight I have had no problems carrying this lens around on lengthy hikes. Unlike many of the competition this lens is much lighter. This lens does not have a teleconverter. I'm told that the Sony teleconverter may work with it but the price of that teleconverter I am not willing to take the gamble. According to Sigma they have an agreement that they will not build one for the Sony E-mount version although they have one for the L-version. I contacted Sony and they couldn't tell me if their Sony teleconverter would work. I've also talked to other folks, and some say that it will work but not as good as expected. In such cases the teleconverter when attached produced photos that were either too smooth around the edges, too dark, or produced some other anomalies. They do not provide a tripod collar for this lens. I, for one, bought my lens second hand and it came with the collar.

Pros

  • Image Quality is Great

Cons

    0 users found this helpful

    General info

    lens type

    Zoom, Telephoto

    Zoom, Telephoto

    The type of lens.
    lens mount

    Sony E

    Sony E

    is weather-sealed (splashproof)
    Sigma 100-400mm f/5-6.3 DG DN OS | C
    Sony FE 70-200mm F4 G OSS
    The device is protected with extra seals to prevent failures caused by dust, raindrops, and water splashes.
    Has a metal mount
    Sigma 100-400mm f/5-6.3 DG DN OS | C
    Sony FE 70-200mm F4 G OSS
    A metal mount is generally superior to a plastic mount as it is more durable.
    weight

    1.14kg

    840 g

    We consider a lower weight better because lighter devices are more comfortable to carry. A lower weight is also an advantage for home appliances, as it makes transportation easier, and for many other types of products.
    Front element doesn't rotate
    Sigma 100-400mm f/5-6.3 DG DN OS | C
    Sony FE 70-200mm F4 G OSS
    The front element doesn’t rotate. This is important if you use filters, as some such as polarising or gradient filters have to be orientated a certain way.
    Includes lens hood
    Sigma 100-400mm f/5-6.3 DG DN OS | C
    Sony FE 70-200mm F4 G OSS
    It comes with a lens hood so that you don’t have to buy it separately. These are used to block strong light sources, such as the sun, from the lens to prevent glare and lens flare.
    Lens hood is reversible
    Sigma 100-400mm f/5-6.3 DG DN OS | C
    Sony FE 70-200mm F4 G OSS
    The lens hood can screw onto the lens in reverse so that you can keep it on your camera at all times, ready to use.
    filter size

    Unknown. Help us by suggesting a value. (Sigma 100-400mm f/5-6.3 DG DN OS | C)

    72 mm

    This measurement is important to take into account when buying filters.

    Optics

    A longer maximum focal length allows you to focus in on a small part of a scene, and offers a narrower angle of view than shorter focal lengths.
    A shorter minimum focal length allows you to get more of the scene in the photo, and offers a wider angle of view than longer focal lengths.
    has built-in optical image stabilization
    Sigma 100-400mm f/5-6.3 DG DN OS | C
    Sony FE 70-200mm F4 G OSS
    Optical image stabilization uses gyroscopic sensors to detect the vibrations of the camera. The lens adjusts the optical path accordingly, ensuring that any type of motion blur is corrected before the sensor captures the image.
    At the shorter end of the lens you get the widest angle of view. This allows you to fit more of the scene into the photograph (based on APS-C format).
    At the longest end of the lens you get the narrowest angle of view. This allows you to fit a small portion of the scene into the photograph, such as when you are zooming in on a subject (based on APS-C format).
    magnification

    0.71x

    0.13x

    A true macro lens has a magnification of 1:1. This means that the image produced is a life-size representation of the subject being photographed.
    The zoom range is the ratio between the longest and shortest focal lengths. A higher zoom range means that the lens is more versatile.

    Aperture

    With a wider aperture the sensor can capture more light, helping to avoid blur by enabling a faster shutter speed. It also provides a shallow depth of field, allowing you to blur the background to focus attention on the subject.
    With a wider aperture the sensor can capture more light, helping to avoid blur by enabling a faster shutter speed. It also provides a shallow depth of field, allowing you to blur the background to focus attention on the subject.
    Has rounded aperture blades
    Sigma 100-400mm f/5-6.3 DG DN OS | C
    Sony FE 70-200mm F4 G OSS
    Similar to the number of aperture blades, rounded blades affect the way the light gets through to the sensor. Rounded blades, often only found on more expensive lenses, improve the appearance of the out-of-focus areas. This allows you to attain better, softer looking bokeh in your photos.
    The aperture controls how much light gets through to the camera’s sensor. More blades is often an indicator of a better quality lens. It also allows you to achieve much nicer looking bokeh when blurring out your background, whereas a lens with less blades will often produce harsher, more polygonal bokeh.
    A smaller aperture reduces the amount of light reaching the sensor. This is important in bright conditions where a wider aperture could result in your image being overexposed. Another advantage is that with a smaller aperture you get a greater depth of field, and can keep all of the image in focus.
    A smaller aperture reduces the amount of light reaching the sensor. This is important in bright conditions where a wider aperture could result in your image being overexposed. Another advantage is that with a smaller aperture you get a greater depth of field, and can keep all of the image in focus.

    Focus

    Can focus to infinity
    Sigma 100-400mm f/5-6.3 DG DN OS | C
    Sony FE 70-200mm F4 G OSS
    Many lenses allow you to focus to infinity. This is essential when you wish to take photos including far off objects, such as when shooting landscapes, in order to make sure everything is sharp and in focus.
    Has focus motor
    Sigma 100-400mm f/5-6.3 DG DN OS | C
    Sony FE 70-200mm F4 G OSS
    Lenses with a built-in focus motor can autofocus even if the camera does not have its own focus motor.
    Has full-time manual focus
    Sigma 100-400mm f/5-6.3 DG DN OS | C
    Sony FE 70-200mm F4 G OSS
    With full-time manual focus, you can move the focus ring whilst it is in AF (autofocus) mode. This means that you can make manual adjustments once the AF has finished, without changing to manual mode.
    has a silent focus motor built into the lens
    Sigma 100-400mm f/5-6.3 DG DN OS | C
    Sony FE 70-200mm F4 G OSS
    Lenses with built-in focus motor focus faster and more quietly than lenses without a focus motor which rely on the camera's body focus motor.
    This is the closest distance that the lens can focus. A shorter minimum focus distance allows you to get closer to your subject, and is particularly important when doing macro photography.

    Benchmarks

    sharpness result

    Unknown. Help us by suggesting a value. (Sigma 100-400mm f/5-6.3 DG DN OS | C)

    23 P-MPix

    The sharpness result from the DxOMark set of metrics. This result is based on the MTF (modulation transfer function) measurement, and gives an overall indication of the sharpness of images produced by the lens.
    chromatic aberration

    Unknown. Help us by suggesting a value. (Sigma 100-400mm f/5-6.3 DG DN OS | C)

    0 µm

    The lateral chromatic aberration result from the DxOMark set of metrics. Chromatic aberration is a type of distortion which results in color fringing along edges within the image.
    DxOMark score

    Unknown. Help us by suggesting a value. (Sigma 100-400mm f/5-6.3 DG DN OS | C)

    27

    DxOMark is a set of tests to measure the performance and quality of lenses and cameras. The DxOMark score is the overall score given to the lens.
    distortion

    Unknown. Help us by suggesting a value. (Sigma 100-400mm f/5-6.3 DG DN OS | C)

    0.3%

    The distortion result from the DxOMark set of metrics. Distortion in the lens refers to the variation of magnification throughout the image. More distortion will result in straight lines being recorded incorrectly in the image.
    transmission

    Unknown. Help us by suggesting a value. (Sigma 100-400mm f/5-6.3 DG DN OS | C)

    4.7 TStop

    The transmission result from the DxOMark set of metrics. Transmission refers to the amount of light that reaches the sensor through all of the glass elements of a lens, with a lower TStop signifying more light. This is important as less light reaching the sensor can lead to the requirement of higher ISOs or slower shutter speeds.
    vignetting

    Unknown. Help us by suggesting a value. (Sigma 100-400mm f/5-6.3 DG DN OS | C)

    -1.3

    The vignetting result from the DxOMark set of metrics. Vignetting refers to when the brightness of an image changes from the center towards the edges, resulting in darkened corners. A result of 0 is perfect and the image will have no vignetting.

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